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Casino royale profits

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Post-Thanksgiving Weekend - Best Holds. Opening Weekends - November. Opening Weekends - Holiday. Smallest Drops, All Wide Releases.

Rated PG, Opening Weekends. Highest All Time Rank on February 11, Yearly Opening Weekends Wide Thanksgiving 3-day Weekends Adjusted. Thanksgiving 5-day Weekends Adjusted.

Movies That Never 1 Adjusted. Opening Weekends Not At 1 Adjusted. It was like that now. Neither the bank nor any of the players seemed to be able to get hot.

Bond had no idea what profits Le Chiffre had made over the past two days. In fact, Le Chiffre had lost heavily all that afternoon. At this moment he only had ten million left.

Bond was cautiously pleased. Le Chiffre showed no trace of emotion. He continued to play like an automaton, never speaking except when he gave in- structions in a low aside to the croupier at the opening of each new bank.

Outside the pool of silence round the high table, there was the constant hum of the other tables, chemin-de- - fer, roulette, and trente-et-quarante, interspersed with the clear calls of the croupiers and occasional bursts of laughter or gasps of excitement from different corners of the huge salle.

In the background there thudded always the hidden metronome of the Casino, ticking up its little treasure of one-per-cents with each spin of a wheel and each turn of a card — a pulsing fat-cat with a zero for a heart.

The Greek at Number 1 was still having a bad time. He had lost the first coup of half a million francs and the second.

He passed the third time, leaving a bank of two millions. Carmel Delane at Number 2 refused it. So did Lady Danvers at Number 3. The Du Ponts looked at each other.

Again he fixed Le Chiffre with his eye. Again he gave only a cursory look at his two cards. He held a marginal five. The position was dangerous.

Le Chiffre turned up a knave and a four. He gave the shoe another slap. He drew a three. And lost again, to a natural nine.

In two coups he had lost twelve million francs. Suddenly Bond felt the sweat on his palms. Like snow in sunshine his capital had melted.

With the covetous deliberation of the winning gambler, Le Chiffre was tapping a light tattoo on the table with his right hand. Bond looked across into the eyes of murky basalt.

They held an ironical question. There was no hint in his movements that this would be his last stake. His mouth felt suddenly as dry as flock wall-paper.

He looked up and saw Vesper and Felix Leiter standing where the gunman with the stick had stood. He did not know how long they had been standing there.

He heard a faint rattle on the rail behind him and turned his head. The battery of bad teeth under the black moustache gaped vacantly back at him.

The light from the broad satin-lined shades which had seemed so welcoming now seemed to take the colour out of his hand as he glanced at the cards.

Then he looked again. It was nearly as bad as it could have been — the king of hearts and an ace, the ace of spades. It squinted up at him like a black widow spider.

Le Chiffre faced his own two cards. He had a queen and a black five. He looked at Bond and pressed out another card with a wide forefinger.

The table was ab- solutely silent. He faced it and flicked it away. The croupier lifted it delicately with his spatula and slipped it over to Bond.

It was a good card, the five of hearts, but to Bond it was a difficult fingerprint in dried blood. He now had a count of six and Le Chiffre a count of five, but the banker having a five and giving a five, would and must draw another card and try and improve with a one, two, three, or four.

Drawing any other card he would be defeated. It was, unnecessarily, the best, a four, giving the bank a count of nine.

He had won, almost slowing up. Bond was beaten and cleaned out. He opened his wide black case and took out a cigarette.

He snapped open the tiny jaws of the Ronson and lit the cigarette and put the lighter back on the table. He took a deep lungful of smoke and expelled it between his teeth with a faint hiss.

Back to the hotel and bed, avoiding the commiserating eyes of Mathis and Leiter and Vesper: He looked round the table and up at the spectators.

Few were looking at him. Leiter had vanished, not wishing to look Bond in the eye after the knock-out, he supposed. Yet Vesper looked curiously unmoved, she gave him a smile of en- couragement.

But then, Bond reflected, she knew nothing of the game. Had no notion, probably, of the bitterness of his defeat. The huissier was coming towards Bond inside the rail.

He stopped beside him. Placed a squat envelope beside Bond on the table. It was as thick as a dictionary.

Said something about the caisse. He took the heavy anonymous envelope below the level of the table and slit it open with his thumbnail, noticing that the gum was still wet on the flap.

Unbelieving and yet knowing it was true, he felt the broad wads of notes. He slipped them into his pockets, retaining the half-sheet of notepaper which was pinned to the topmost of them.

He glanced at it in the shadow below the table. There was one line of writing in ink: With the compliments of the U.

He looked over towards Vesper. Felix Leiter was again standing beside her. He grinned slightly, and Bond smiled back and raised his hand from the table in a small gesture of benediction.

Then he set his mind to sweeping away all traces of the sense of complete defeat which had swamped him a few minutes before.

This was a reprieve, but only a reprieve. There could be no more miracles. This time he had to win— if Le Chif fre had not already made his fifty million — if he was going to go on!

Perhaps, thought Bond, Le Chiffre needed just one more coup, even a minor one of a few million francs, to achieve his object. Then he would have made his fifty million francs and would leave the table.

By tomorrow his deficits would be covered and his position secure. Then the only hope, thought Bond, was to stamp on him how. Not to share the bank with the table, or to take some minor r part of it, but to go the whole hog.

This would really jolt Le Chiffre. He would hate to see more than ten or fifteen million of the stake covered, and he could not possibly expect anyone to banco the entire thirty-two millions.

He might not know that Bond had been cleaned out, but he must imagine that Bond had by now only small reserves.

He could not know of the contents of the envelope. If he did, he would probably withdraw the bank and start all over again on the wearisome journey up from the five hundred franc opening bet.

The analysis was right. Le Chiffre needed another eight million. At last he nodded. A silence built itself up round the table. Besides, this was won- derful publicity.

The stake had only once been reached in the history of baccarat — at Deauville in It was then that Bond leant slightly forward. The word ran through the Casino.

For most of them it was more than they had earned all their lives. It was their savings and the savings of their families.

It was, literally, a small fortune. One of the Casino directors consulted with the chef de partie. The chef de partie turned apologetically to Bond.

It was an indication that Bond really must show he had the money to coyer the bet. They knew, of course, that he was a very wealthy man, but after all, thirty-two millions!

And it sometimes happened that desperate people would bet without a sou in the world and cheer- fully go to prison if they lost. It was when Bond shovelled the great wad of notes out on to the table and the croupier busied himself with the task of counting the pinned sheaves of ten thousand franc notes, the largest denomination issued in France, that he caught a swift exchange of glances between Le Chiffre and the gunman standing directly behind Bond.

Immediately he felt something hard press into the base of his spine, right into the cleft between his two buttocks on the padded chair.

At the same time a thick voice speaking southern French said softly, urgently, just behind his right ear: It is absolutely silent.

You will appear to have fainted. I shall be gone. Withdraw your bet before I count ten. If you call for help I shall fire.

These people had shown they would unhesitatingly go the limit. The thick walking stick was explained. Bond knew the type of gun.

The barrel a series of soft rubber baffles which absorbed the detonation, but allowed the passage of the bullet. They had been invented and used in the v.

Bond had tested them himself. Bond turned his head. There was the man, leaning forward close behind him, smiling broadly under his black moustache as if he were wishing Bond luck, com- pletely secure in the noise and the crowd.

The discoloured teeth came together. His eyes glittered back at Bond. His mouth was open, and he was breathing fast.

They were smiling and talking to each other. Where were those famous men of his? This crowd of jabbering idiots. The chef de partie, the croupier, the huissier?

The chef de partie bowed smilingly towards Bond. It was a chance. He carefully moved his hands to the edge of the table, gripped it, edged his buttocks right back, feeling the sharp gun-sight grind into his coccyx.

The back of the chair splintered with the sharp crack. There were cries of dismay. The spectators cringed away and then, reassured, clustered back.

Hands helped him to his feet and brushed him down. The huissier bustled up with the chef de partie. At all costs a scandal must be avoided.

Bond held on to the brass rail. He looked confused and embarrassed. He brushed his hand across his forehead. Naturally, with this tremendous game.

Would Monsieur prefer to with- draw, to lie down, to go home? Should a doctor be fetched? Bond shook his head. He was perfectly all right now.

His excuses to the table. To the banker also. A new chair was brought and he sat down. He looked across at Le Chiffre.

Through his relief at being alive, he felt a moment of triumph at what he saw— some fear in the fat, pale face.

There was a buzz of speculation round the table. He turned to examine the crowd behind him. There was no trace of the gunman, but the huissier was looking for someone to claim the Malacca stick.

But it no longer carried a rubber tip. Bond beckoned to him. It belongs to an acquaintance of his. Bond grimly reflected that a short examination would reveal to Leiter why he had made such an embarrassing public display of himself.

He turned back to the table and tapped the green cloth in front of him to show that he was ready. Le Chiffre hit the shoe with a flat-handed slap that made it rattle.

As an afterthought he took out his benzedrine inhaler and sucked the vapour up his nose. By a miracle he had sur- vived a devastating wound.

He could feel his armpits still wet with the fear of it. But the success of his gambit with the chair had wiped out all memories of the dread- ful valley of defeat through which he had just passed.

He had made a fool of himself. They must not fail him. In the silence round his own table, Bond suddenly heard a distant croupier intone: Le rouge gagne, impair et manque.

The two cards slithered towards him across the green sea. Like an octopus under a rock, Le Chiffre watched him from the other side of the table.

Bond reached out a steady right hand and drew the cards towards him. Would it be the lift of the heart which a nine brings, or an eight brings?

He fanned the two cards under the curtain of his hand. His whole body stiffened in a reflex of self- defence. He had two queens, two red queens.

They looked rougishly back at him from the shadows. They were the worst. The banker slowly turned his own two cards face up.

He had a count of three — a king and a black three. Bond softly exhaled a cloud of tobacco smoke. He still had a chance. Now he was really faced with the moment of truth.

The croupier slipped it delicately across. To Le Chiffre it meant nothing. Or he might have had a two, three, four, or even five.

In which case, with nine, his maximum count would be four. Holding a three and giving a nine is one of the moot situations at the game.

The odds are so nearly divided between to draw or not to draw. Bond let the banker sweat it out. Since his nine could only be equalled by the banker drawing a six, he would normally have shown his count if it had been a friendly game.

The whole secret lay in the reverse of the two pink backs where the pair of queens kissed the green cloth. His thick tongue came out slyly and licked a drop out of the corner of his red gash of a mouth.

Then his whole body shrugged and he slipped out a card for himself from the lisping shoe. It was a wonderful card, a five.

He must have won. There was not a man at the table who did not believe Bond was defeated. The spatula flicked the two pink cards over on their backs.

The gay red queens smiled up at the lights. The big man fell back in his chair as if slugged above the heart. Then he rocked back. His lips were grey.

As the huge stack of plaques was shunted across the table to Bond the banker reached into an inner pocket of his jacket and threw a wad of notes on to the table.

The croupier riffled through them. He slapped down their equivalent in ten plaques of a million each. This is the kill, thought Bond.

This man has reached the point of no return. This is the last of his capital. He has come to where I stood an hour ago, and he is making the last gesture that I made.

But if this man loses there is no one to come to his aid, no miracle to help him. Bond sat back arid lit a cigarette.

On a small table beside him half a bottle of Clicquot and a glass had materialized. Without asking who the benefactor was, Bond filled the glass to the brim and drank it down in two long draughts.

Then he leant back with his arms curled forward on the table in front of him like the arms of a wrestler seeking a hold at the opening of a bout of ju-jitsu.

The players on his left remained silent. Once more the two cards were borne over to him, and this time the croupier slipped them into the green lagoon between the outstretched arms.

Bond curled his right hand in, glanced briefly down and flipped the cards face up into the middle of the table. Le Chiffre was gazing down at his own two black kings.

He unhooked the velvet- covered chain and let it fall. The spectators opened a way for him. They looked at him curiously and rather fearfully as if he carried the smell of death on him.

He took a hundred-mille plaque from the stacks beside him and slipped it across the table to the chef de partie.

He cut short the effusive thanks and asked the croupier to have his winnings carried to the caisse. The other players were leaving their seats. With no banker, there could be no game, and by now it was half-past two.

He exchanged some pleasant words with his neighbours to right and left and then ducked under the rail to where Vesper and Felix Leiter were waiting for him.

Together they walked over to the caisse. Bond was invited to come into the private office of the Casino directors. On the desk lay his huge pile of chips.

He added the contents of his pockets to it. In all there was over seventy million francs. He was congratulated warmly on his winnings.

The directors hoped that he would be playing again that evening. Bond gave an evasive reply. For a few minutes they discussed the game over a bottle of champagne.

He Was as puzzled as we were by the spill you took. He was standing at the back of the crowd with one of his men when it happened.

The gunman got away without difficulty. You can imagine how they kicked themselves when they saw the gun. Mathis gave me this bullet to show you what you escaped.

The man came in alone. He got permission to bring the stick in with him. He had a cer- tificate for a war-wound pension. These people certainly get themselves well organized.

You certainly took Le Chiffre for a ride at the end, though we had some bad moments. I expect you did too. I thought I was really finished.

Talk about a friend in need. He might get ideas. What do you think? She had hardly said a word since the end of the game. You get to it through the public rooms.

It looks quite cheerful. Leiter looked at him and read his mind. Might as well convoy the treasure ship right into port.

Both had their hands on their guns. The short walk was uneventful. At the hotel, Leiter insisted on accompanying Bond to his room.

It was as Bond had left it six hours before. Do you think I ought to stay up and keep you two company?

I hope we get on a job again one day. He went out and closed the door. Bond turned back to the friendliness of his room. He went into the bathroom and dashed cold water over his face and gargled with a sharp mouthwash.

He felt the bruises on the back of his head and on his right shoulder. He reflected cheerfully how narrowly he had twice that day escaped being murdered.

Would he have to sit up all that night and wait for them to come again, or was Le Chiffre even now on his way to Le Havre or Bordeaux to pick up a boat for some corner of the world where he could escape the eyes and guns of SMERSH?

Bond shrugged his shoulders. Sufficient unto that day had been its evil. He wanted her cold and arrogant body. He turned away and took out of his pocket the cheque for forty million francs.

He folded this very small. Then he opened the door and looked up and down the corridor. He left the door wide open and with his ears cocked for footsteps or the sound of the lift, he set to work with a small screwdriver.

Five minutes later he gave a last-minute survey to his handiwork, put some fresh cigarettes in his case, closed and locked the door, and went off down the corridor and across the hall and out into the moonlight.

The night club was small and dark, lit only by candles in gilded candelabra whose warm light was repeated in wall mirrors set in more gold picture-frames.

The walls were covered in dark red satin, and the chairs and banquettes in matching red plush. Seduction dripped on the quietly throbbing air.

It seemed to Bond that every couple must be touching with passion under the tables. They were given a corner table near the door.

Bond ordered a bottle of Veuve Clicquot and scrambled eggs and bacon. They sat for a time listening to the music, and then Bond turned to Vesper: She seemed to be listening carefully to the music.

One elbow rested on the table, and her hand supported her chin, but on the back of her hand and not on the palm; and Bond noticed that her knuckles showed white as if her fist was tightly clenched.

Bond noticed these small things because he felt in- tensely aware of her and because he wanted to draw her into his own feeling of warmth and relaxed sensuality.

But he accepted her reserve. He thought it came from a desire to protect herself from him, or else it was her reaction to his coolness to her earlier in the evening, his deliberate coolness, which he knew had been taken as a rebuff.

He drank champagne and talked a little about the happenings of the day and about the per- sonalities of Mathis and Leiter and about the possible consequences for Le Chiffre.

He was discreet, and he only talked about the aspects of the case on which she must have been briefed by London. They could not believe that anything would be attempted in the Casino itself.

Di- rectly Bond and Leiter had left to walk over to the hotel, she had telephoned Paris and told M. She had had to speak guardedly, and the agent had rung off without comment.

She had been told to do this whatever the result. This was all she said. She sipped at her champagne and rarely glanced at Bond. He drank a lot of champagne and ordered another bottle.

The scrambled eggs came, and they ate in silence. He handed her a note which she took and read hastily. Then perhaps we could go home. He sat down and lit a cigarette.

He sud- denly realized that he was tired. The stuffiness of the room hit him as it had hit him in the Casino in the early hours of the previous day.

He called for the bill and took a last mouthful of champagne. It tasted bitter, as the first glass too many always does. Suddenly the note to Vesper seemed odd to him.

He would have asked them both to join him at the bar of the Casino, or he would have joined them in the night club, whatever his clothes.

They would have laughed together, and Mathis would have been excited. He had much to tell Bond, more than Bond had to tell him: He hastily paid the bill, not waiting for the change.

He hurried through the gaming-room and looked carefully up and down the long entrance hall. He cursed and quickened his step.

There were only one or two of- ficials and two or three men and women in evening clothes getting their things at the vestiaire.

He was almost running. He got to the entrance and looked along the steps to the left and right down and amongst the few remaining cars.

The commissionaire came towards him. He was halfway down when he heard a faint cry, then the slam of a door away to the right. With a harsh growl and stutter from the exhaust a beetle-browed Citroen shot out of the shadows into the light of the moon, its front- wheel drive dry-skidding through the loose pebbles of the forecourt.

Its tail rocked on its soft springs as if a violent struggle was taking place on the back seat. With a snarl it raced out to the wide entrance gate in a spray of gravel.

He ran back with it across the gravel to the brightly lit steps and scrabbled through its contents while the com- missionaire hovered round him. The crumpled note was there amongst the usual feminine baggage: I have news for your companion.

Bond leapt for the Bentley, blessing the impulse , which had made him drive it over after dinner. With the choke full out the engine answered at once to the starter, and the roar drowned the faltering words of the com- missionaire who jumped aside as the rear wheels whipped gravel at his piped trouser-legs.

As the car rocked to the left outside the gate, Bond ruefully longed for the front-wheel drive and low chassis of the Citroen. Then he went fast through the gears and settled himself for the pursuit, briefly savouring the echo of the huge exhaust as it came back at him from either side of the short main street through the town.

He pushed the revs up and up, hurrying the car to eighty then to. He knew the Citroen must have come this way. He had heard the exhaust penetrate beyond the town, and a little dust still hung on the bends.

He hoped soon to see the distant shaft of its headlights. The night was still and clear. Only out at sea there must be a light summer mist, for at intervals he could hear the foghorns lowing like iron cattle down the coast.

As he drove, whipping the car faster and faster through the night, with the other half of his mind he cursed Vesper, and M.

This was just what he had been afraid of. Lynd is apparently abducted outside the casino, and Tremble is also kidnapped while pursuing her.

Le Chiffre, desperate for the winning cheque, hallucinogenically tortures Tremble. Lynd rescues Tremble, only to subsequently kill him.

They discover that the casino is located atop a giant underground headquarters run by the evil Dr. Jimmy reveals that he plans to use biological warfare to make all women beautiful and kill all men over 4-footinch 1.

Jimmy has already captured The Detainer, and he tries to convince her to be his partner; she agrees, but only to dupe him into swallowing one of his "atomic time pills", turning him into a "walking atomic bomb".

The casino is then overrun by secret agents and a battle ensues. American and French support arrive, but just add to the chaos.

Eventually, Jimmy counts down his atomic explosion. Sir James and all of his agents then appear in heaven, and Jimmy Bond is shown descending to Hell.

Casino Royale also takes credit for the greatest number of actors in a Bond film either to have appeared or to go on to appear in the rest of the Eon series — besides Ursula Andress in Dr.

Jack Gwillim , who had a tiny role as a British army officer, played a Royal Navy officer in Thunderball. Hal Galili , who appears briefly as a US army officer at the auction, had earlier played gangster Jack Strap in Goldfinger.

Broccoli , who had a long time interest in adapting James Bond, offered to purchase the Casino Royale rights from Feldman, but he declined.

They eventually gave up once they saw the film Dr. The attempt at a co-production eventually fell through as Feldman frequently argued with Broccoli and Saltzman, specially regarding the profit divisions and when the Casino Royale adaptation would start production.

The Oscar -winning writer was recruited by Feldman to produce a screenplay for the film and wrote several drafts, with various evolutions of the story incorporating different scenes and characters.

All of his treatments were "straight" adaptations, far closer to the original source novel than the spoof which the final production became.

Later drafts see vice made central to the plot, with the Le Chiffre character becoming head of a network of brothels as he is in the novel whose patrons are then blackmailed by Le Chiffre to fund Spectre an invention of the screenwriter.

New characters appear such as Lili Wing, a brothel madam and former lover of Bond whose ultimate fate is to be crushed in the back of a garbage truck, and Gita, wife of Le Chiffre.

He died from a heart attack in April , two days before he was due to present it to Feldman. Time reported in that the script had been completely re-written by Billy Wilder , and by the time the film reached production only the idea that the name James Bond should be given to a number of other agents remained.

Extensive sequences also featured London, notably Trafalgar Square and the exterior of 10 Downing Street. Mereworth Castle in Kent was used as the home of Sir James Bond, which is blown up at the start of the film.

The production proved to be rather troubled, with five different directors helming different segments of the film and with stunt co-ordinator Richard Talmadge co-directing the final sequence.

Val Guest was given the responsibility of splicing the various "chapters" together, and was offered the unique title of "Co-ordinating Director" but declined, claiming the chaotic plot would not reflect well on him if he were so credited.

His extra credit was labelled "Additional Sequences" instead. Screenwriter Wolf Mankowitz declared that Sellers felt intimidated by Orson Welles to the extent that, except for a couple of shots, neither was in the studio simultaneously.

Other versions of the legend depict the drama stemming from Sellers being slighted, in favour of Welles, by Princess Margaret whom Sellers knew during her visit to the set.

Welles also insisted on performing magic tricks as Le Chiffre, and the director obliged. Director Val Guest wrote that Welles did not think much of Sellers, and had refused to work with "that amateur".

Some biographies of Sellers suggest that he took the role of Bond to heart, and was annoyed at the decision to make Casino Royale a comedy, as he wanted to play Bond straight.

This is illustrated in somewhat fictionalised form in the film The Life and Death of Peter Sellers , based on the biography by Roger Lewis , who has claimed that Sellers kept re-writing and improvising scenes to make them play seriously.

This story is in agreement with the observation that the only parts of the film close to the book are the ones featuring Sellers and Welles.

Jean-Paul Belmondo and George Raft received major billing , even though both actors appear only briefly. Both appear during the climactic brawl at the end, Raft flipping his trademark coin and promptly shooting himself dead with a backward-firing pistol, while Belmondo appears wearing a fake moustache as the French Foreign Legion officer who requires an English phrase book to translate " merde!

At the Intercon science fiction convention held in Slough in , David Prowse commented on his part in this film, apparently his big-screen debut.

He claimed that he was originally asked to play "Super Pooh", a giant Winnie-the-Pooh in a superhero costume who attacks Tremble during the Torture of The Mind sequence.

The final sequence was principally directed by former actor and stuntman Richard Talmadge. The story of Casino Royale is told in an episodic format.

Val Guest oversaw the assembly of the sections, although he turned down the credit of "co-ordinating director". Sellers left the production before all his scenes were shot, which is why his character, Tremble, is so abruptly captured in the film.

Whether Sellers was fired or simply walked off is unclear. Given that he often went absent for days at a time and was involved in conflicts with Welles, either explanation is plausible.

The framing device of a beginning and ending with David Niven was invented to salvage the footage. He chose to use the original Bond and Vesper as linking characters to tie the story together.

In the originally released versions of the film, a cardboard cutout of Sellers in the background was used for the final scenes. In later versions, this cardboard cutout was replaced by footage of Sellers in highland dress, inserted by "trick photography".

Signs of missing footage from the Sellers segments are evident at various points. Evelyn Tremble is not captured on camera; an outtake of Sellers entering a racing car was substituted.

As well as this, an entire sequence involving Tremble going to the front for the underground James Bond training school which turns out to be under Harrods , of which the training area was the lowest level was never shot, thus creating an abrupt cut from Vesper announcing that Tremble will be James Bond to Tremble exiting the lift into the training school.

So many sequences from the film were removed, that several well-known actors never appeared in the final cut, including Ian Hendry as , the agent whose body is briefly seen being disposed of by Vesper , Mona Washbourne and Arthur Mullard.

Bacharach worked over two years writing for Casino Royale , in the meantime composing the After the Fox score and being forced to decline participation in Luv.

Lyricist Hal David contributed with various songs, many of which appeared in just instrumental versions. It is played in the scene of Vesper Lynd recruiting Evelyn Tremble, seen through a man-size aquarium in a seductive walk.

It was heard again in the first Austin Powers film, which was to a degree inspired by Casino Royale. Bacharach would later rework two tracks of the score into songs: A clarinet melody would later be featured in a Cracker Jack commercial.

The original album cover art was done by Robert McGinnis , based on the film poster and the original stereo vinyl release of the soundtrack Colgems COSO

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He also creates a rigorous programme to train male agents to ignore the charms of women. Moneypenny recruits "Coop", a karate expert who begins training to resist seductive women: Mata destroys the photos.

Later that night, Tremble observes Le Chiffre playing at the casino and realises that he is using infrared sunglasses to cheat.

Lynd steals the sunglasses, allowing Evelyn to eventually beat Le Chiffre in a game of baccarat. Lynd is apparently abducted outside the casino, and Tremble is also kidnapped while pursuing her.

Le Chiffre, desperate for the winning cheque, hallucinogenically tortures Tremble. Lynd rescues Tremble, only to subsequently kill him.

They discover that the casino is located atop a giant underground headquarters run by the evil Dr. Jimmy reveals that he plans to use biological warfare to make all women beautiful and kill all men over 4-footinch 1.

Jimmy has already captured The Detainer, and he tries to convince her to be his partner; she agrees, but only to dupe him into swallowing one of his "atomic time pills", turning him into a "walking atomic bomb".

The casino is then overrun by secret agents and a battle ensues. American and French support arrive, but just add to the chaos.

Eventually, Jimmy counts down his atomic explosion. Sir James and all of his agents then appear in heaven, and Jimmy Bond is shown descending to Hell.

Casino Royale also takes credit for the greatest number of actors in a Bond film either to have appeared or to go on to appear in the rest of the Eon series — besides Ursula Andress in Dr.

Jack Gwillim , who had a tiny role as a British army officer, played a Royal Navy officer in Thunderball. Hal Galili , who appears briefly as a US army officer at the auction, had earlier played gangster Jack Strap in Goldfinger.

Broccoli , who had a long time interest in adapting James Bond, offered to purchase the Casino Royale rights from Feldman, but he declined.

They eventually gave up once they saw the film Dr. The attempt at a co-production eventually fell through as Feldman frequently argued with Broccoli and Saltzman, specially regarding the profit divisions and when the Casino Royale adaptation would start production.

The Oscar -winning writer was recruited by Feldman to produce a screenplay for the film and wrote several drafts, with various evolutions of the story incorporating different scenes and characters.

All of his treatments were "straight" adaptations, far closer to the original source novel than the spoof which the final production became.

Later drafts see vice made central to the plot, with the Le Chiffre character becoming head of a network of brothels as he is in the novel whose patrons are then blackmailed by Le Chiffre to fund Spectre an invention of the screenwriter.

New characters appear such as Lili Wing, a brothel madam and former lover of Bond whose ultimate fate is to be crushed in the back of a garbage truck, and Gita, wife of Le Chiffre.

He died from a heart attack in April , two days before he was due to present it to Feldman. Time reported in that the script had been completely re-written by Billy Wilder , and by the time the film reached production only the idea that the name James Bond should be given to a number of other agents remained.

Extensive sequences also featured London, notably Trafalgar Square and the exterior of 10 Downing Street.

Mereworth Castle in Kent was used as the home of Sir James Bond, which is blown up at the start of the film. The production proved to be rather troubled, with five different directors helming different segments of the film and with stunt co-ordinator Richard Talmadge co-directing the final sequence.

Val Guest was given the responsibility of splicing the various "chapters" together, and was offered the unique title of "Co-ordinating Director" but declined, claiming the chaotic plot would not reflect well on him if he were so credited.

His extra credit was labelled "Additional Sequences" instead. Screenwriter Wolf Mankowitz declared that Sellers felt intimidated by Orson Welles to the extent that, except for a couple of shots, neither was in the studio simultaneously.

Other versions of the legend depict the drama stemming from Sellers being slighted, in favour of Welles, by Princess Margaret whom Sellers knew during her visit to the set.

Welles also insisted on performing magic tricks as Le Chiffre, and the director obliged. Director Val Guest wrote that Welles did not think much of Sellers, and had refused to work with "that amateur".

Some biographies of Sellers suggest that he took the role of Bond to heart, and was annoyed at the decision to make Casino Royale a comedy, as he wanted to play Bond straight.

This is illustrated in somewhat fictionalised form in the film The Life and Death of Peter Sellers , based on the biography by Roger Lewis , who has claimed that Sellers kept re-writing and improvising scenes to make them play seriously.

This story is in agreement with the observation that the only parts of the film close to the book are the ones featuring Sellers and Welles.

Jean-Paul Belmondo and George Raft received major billing , even though both actors appear only briefly. Both appear during the climactic brawl at the end, Raft flipping his trademark coin and promptly shooting himself dead with a backward-firing pistol, while Belmondo appears wearing a fake moustache as the French Foreign Legion officer who requires an English phrase book to translate " merde!

At the Intercon science fiction convention held in Slough in , David Prowse commented on his part in this film, apparently his big-screen debut.

He claimed that he was originally asked to play "Super Pooh", a giant Winnie-the-Pooh in a superhero costume who attacks Tremble during the Torture of The Mind sequence.

The final sequence was principally directed by former actor and stuntman Richard Talmadge. The story of Casino Royale is told in an episodic format.

Val Guest oversaw the assembly of the sections, although he turned down the credit of "co-ordinating director".

Sellers left the production before all his scenes were shot, which is why his character, Tremble, is so abruptly captured in the film.

Whether Sellers was fired or simply walked off is unclear. Given that he often went absent for days at a time and was involved in conflicts with Welles, either explanation is plausible.

The framing device of a beginning and ending with David Niven was invented to salvage the footage. He chose to use the original Bond and Vesper as linking characters to tie the story together.

In the originally released versions of the film, a cardboard cutout of Sellers in the background was used for the final scenes. In later versions, this cardboard cutout was replaced by footage of Sellers in highland dress, inserted by "trick photography".

Signs of missing footage from the Sellers segments are evident at various points. Evelyn Tremble is not captured on camera; an outtake of Sellers entering a racing car was substituted.

As well as this, an entire sequence involving Tremble going to the front for the underground James Bond training school which turns out to be under Harrods , of which the training area was the lowest level was never shot, thus creating an abrupt cut from Vesper announcing that Tremble will be James Bond to Tremble exiting the lift into the training school.

So many sequences from the film were removed, that several well-known actors never appeared in the final cut, including Ian Hendry as , the agent whose body is briefly seen being disposed of by Vesper , Mona Washbourne and Arthur Mullard.

Bacharach worked over two years writing for Casino Royale , in the meantime composing the After the Fox score and being forced to decline participation in Luv.

Lyricist Hal David contributed with various songs, many of which appeared in just instrumental versions. Daily Box Office Wed. Weekend Box Office Jan.

November 17, Genre: March 18, In Release: Barbara Broccoli Michael G. Genre Rank Prequel 18 Spy James Bond 4 Showdown: Other Spies 3 Showdown: Franchise Reboot Battle 5 Showdown: When was the last time the top 2 movies three-peated at the box office?

New Bond Blunted by Scott Holleran. On his next mission, travels to Madagascar in search of the financier of a circle of terrorist groups.

He kills an international bomb-maker seeking refuge at the Nambutu embassy and seizes his cellphone, discovering a number of calls from Ellipsis.

Unfortunately, his escapade is photographed and printed in the newspapers, much to the fury of M. After a rocky beginning, Bond wins the tournament.

Finally, Bond tracks down Mr. However, as much as he may have needed to do so, Carter made it obvious to Mollaka that he was an agent. Mollaka spots him and the chase ensues.

Who knows why the producers chose Montenegro? One possible explanation is that the former Yugoslav states once had a rather shady reputation regarding their banking systems.

However, most of them cleaned up their act in the s. Montenegro is part of the Balkan peninsula, situated conveniently between "East" and "West" and was a favored meeting place for Cold War spies of the Ian Fleming era.

Look at the region formerly known as Yugoslavia; Montenegro is one of the former states and is now known as the Republic of Montenegro, formerly united with Serbia.

And yes, it is a real place. After M questions him as to how he was able to get into her house and know personal information about her, Bond confesses that he was surprised that "M" was not just a random letter applied to her but that it actually stood for However, it is not revealed whether that is the case for the current M.

No; in the book series, Leiter had already been on several missions with Bond, going as far as losing an arm and a leg in the novel Live and Let Die , which was depicted in the film Licence to Kill It is a common misconception that "shorting stock" means a short sale of shares.

Either can be called "going short" on a stock. A profit is realized if the price falls later on. If the price of the stock actually goes up, though, the investor loses money.

A put option gives the buyer the right, but not the obligation, to sell a stock at a defined "strike price" to the party who sold the put options.

By definition, the strike price is lower than the current price; the financial instrument would otherwise never be sold in the first place.

This is not an impossible share volume. DAL, for example, has over million shares outstanding. The less likely the seller thinks the strike price will be reached, the less of a premium will be asked.

Le Chiffre would initially have to pay the difference between the market price and strike price, plus the premium: Quite a "reasonable rate of return" for a few days!

In those final hours, no one would buy them for any amount, so they "expired worthless," and Le Chiffre lost all the money he put into the puts pun intended.

It is very common for investors to purchase options that lose all value, and thus lose the money invested into them. Le Chiffre probably preferred put options to selling shares short because of the odds: The irony is that despite his mathematical genius, he was a poor investor.

A short sale would have been unlikely to lose so much money in the course of a few days. On the other hand, the put options were a necessary plot device so Le Chiffre could lose a great deal of money with no recourse.

No brokerage house would let a client incur such a huge potential liability without collateral, in case the market moved against the client.

Perhaps it was a plot device for Le Chiffre to demonstrate his mathematical genius, though it could have been written with the broker about to disclose the final losses, and Le Chiffre interrupting with the amount.

His henchmen are "Tall Man" and Gettler. Vesper has been blackmailed into working with this organisation. Le Chiffre is a private banker to whomever needs money laundering.

In the film, he is working with Mr.

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